Shatter the Standards Album Review: TENKI by ICXN Writing his debts, his aging mother, and his late father into a gospel-rap song cycle, ICXN proves gratitude is something a person practices. In Sierra Leone people commonly greet each other with…
BraveWords Hey, I thought you guys were going to retire? Well, to our good fortune then… cheers! In case you don’t know, there’s just two original Ungols remaining: drummer Robert Garven and the unique vocal stylings of Tim Baker (somewhere…
Review by Paddy Gallagher for MPM Asia: a supergroup in every essence of the term. Mention them in the same breath as Yes, ELP, King Crimson and wonder what could a mere mortal like me say in a review? A…
Review by Phil Rozier for MPM Sadly, I’d read, or heard, unintentionally, that this latest piece of work from Queens of the Stone Age sounded a bit like David Bowie. I wish I hadn’t, because however hard you try not…
Centered around Justin Cober (electric guitars, bass VI, synthesizers, piano, tape recordings, voice) and John Talbot (drums, percussion), Yoo Doo Right never intended to make the album that became Build and Rest by the Shepherd’s Light: We booked studio time…
Trigger Reviews 11 Comments Average Joes Entertainment, David Allan Coe, Ken Madson, Kid Rock, Review BP November 4, 2026 @ 12:15 pm Might be nit-picking but I don’t believe DAC is a co-writer on “Only God Knows Why? The song appeared on Kid Rock’s “Devil…
Over the course of three previous albums, a documentary film and brief but influential performance on hit cable show Ted Lasso, UK one-man band Cam Cole’s music has dug into a gnarly, ragged, combination of tough, unvarnished, gut bucket blues…
Cady Ternity want their art to speak for itself. In an email, the Northfield indie-rock band referenced the late, great David Lynch, who once said, “The film is the talking. The film is the thing. So you go see the…
The next 40 minutes will be a journey though fast pop-rock, that if you saw any of the Summer Concert Tours early in 2026 will sound familiar. Opening for Zed, Iggy Pop, and Joan Jett & the Blackhearts, they blend punk, NZ beach…
Somewhere between indie rock, post-punk and shoegaze, New Zealand band Window creates melodic noise-rock that refuses to stay inside any one genre. They favour loud amplifiers over algorithms, real-world collaboration over scrolling, and songs built by humans rather than software.
From surprise drops to long‑awaited returns — track by track.
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